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About
Bridget McGinty
Bridget McGinty started her culinary career working for restauranteur, John Minnillo at the famed Ninth Street Grill in The Galleria in the early 90’s. Chef Karen Small, Alice Waters’ Cleveland counterpart, ran the kitchen and was perfecting a “Farm to Table” philosophy long before it became mainstream. Working her way from busser to bar manager over the course of 8 years, Bridget enjoyed and excelled at all front of the house operations, but was always trying to see what she could learn from the back of the house. She began cooking at home and before long was hosting memorable dinner parties for friends and family.
When Ninth Street Grill closed abruptly, Bridget joined the elite rank of servers at Johnny’s Downtown. Her love of food and cooking became an obsession as she was exposed to duck, veal, fresh pasta, risotto, demi glace and other decadent sauces! Johnny’s owners and chefs encouraged her to attend culinary school. In 1998, Bridget graduated from Pennsylvania Institute of Culinary Arts, after a successful internship at the Baricelli Inn under Master Chef Paul Minnillo.
Disheartened by the abusive environments of many kitchens, the grueling hours and terrible pay, Bridget decided to open a restaurant of her own, where the health and happiness of her employees and customers were at the heart of every decision and recipe. She returned to the front of the house at Blue Point Grill to earn the cash needed to do so. With owners who truly do “whatever it takes” and the leadership of Doug Petkovic, Bridget had many fine examples of how to run a restaurant well.
Tastebuds opened in 2001 in a shared hallway in an Asian plaza, which she quickly outgrew. Two years later, she risked it all to renovate the all-but abandoned warehouse space where it currently resides. Bridget is also a writer and a painter and resides in Tremont with her young son.
Tastebuds Welcomes Erin McGinty-Perk as Managing Partner
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This woman alone : approaches to the earliest vitae of Brigit of Kildare
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hagiography is a much richer and varied genre than simple lists. As with most literary genres, it reflects a wide range of interests and concerns, as well as stylistic and cultural features. While the hagiographical texts are not historical, they do offer ' a small portion of the many things passed down by elders and most learned people, without the darkness of ambiguity... [ §Prologue] us a glimpse of the historical concerns of the communities they represent as well as the culture in which the history played itself out.
The Texts
This thesis focuses on the earliest Brigidine texts, notably the Vita II, Vita I, and Bethu Brigte. These texts belong to the earliest stratum of Irish hagiography, and form the base from which later Brigidine traditions were to develop. Sharpe places these texts in the earliest stages of hagiographical development in Ireland.
Cogitosus's Vita II, along with the Vitae of Patrick by Muirchu, the Collectanea of Tirechan, and Adomnan's Vita Columbae form the corpus of Irish hagiographical texts that can confidently be dated to the seventh century (Sharpe 1991: 14). As we shall see, the Vita I seems to have incorporated the Vita II as well as earlier lives written by Ultan of Ardbraccan and Aileran of Clonard. These two seventh century authors were also credited with having written lives of both Patrick and Brigit. (McCone 1982: 114-17). If this is so, the Vita I would seem to represent a broad reading of the earliest Brigidine traditions from the same period as Cogitosus.
However, it seems to have been edited in the eighth or ninth centuries, and we can be fairly certain that the text represents some of the concerns of the editors of that time.
The final text, the Bethu Brigte, belongs to the ninth century, when we begin to see a shift from writing saints lives in Latin to writing them in the vernacular (Sharpe 1991: 19-20). The Old Irish Bethu First Nations peoples in Canada and northern United States For other uses, see Cree (disambiguation). Not to be confused with Kree. "Nêhiyawak" redirects here. For the rock group, see Nêhiyawak (band). "Nehiyaw" redirects here. For the children's book author, see Glecia Bear. Ethnic group néhinawᓀᐦᐃᓇᐤ A Cree camp, likely in Montana, photographed c. 1893 The Cree, or nehinaw (néhiyaw, nihithaw), are a North American Indigenous people,Biography and information on cree indians
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Including Atikamekw and InnuCanada Alberta 95,300 (2016) Saskatchewan 89,990 (2016) Manitoba 66,895 (2016) Ontario 36,750 (2016) British Columbia 35,885 (2016) Quebec 27,245 (2016) Cree, Cree Sign Language, English, French Anglicanism, Indigenous religion, Pentecostalism, Roman Catholicism Métis, Oji-Cree, Ojibwe, Innu, Naskapi
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