Fede galicia biography of donald

Episode Transcript

Hi there, my lovely listeners! Welcome back to the ArtCurious podcast, where we explore the unexpected, slightly odd, and strangely wonderful in art history. If you’ve listened to our last episode, you’ll know that this season of the podcast is different. Instead of our usual spate of new episodes, I’m taking a little time off to research a new book--yay!-- so I’m sharing some slightly zhug-ed renditions of eight of my favorite segments from my audio course, “Breaking Barriers: Women Artists of Renaissance Europe.”BreakingBarriers is a 21-day course, meaning that you get essentially a mini-episode of ArtCurious every day for three weeks straight, and the unique opportunity to learn about some artists that you may have never heard of before--and they are likely to blow your mind, or become your next favorite artist. That’s three weeks, with every day featuring the story of a new Renaissance painter, sculptor, miniature maker-- from Sofonisba Anguissola and Marietta Robusti to lesser-known artists like Plautilla Nelli and Levina Teerlinc, this course will lead you through the lives and careers of groundbreaking women who’ve made their marks on art history. This evergreen course is all about learning for fun, no tests, no papers, no quizzes, just cool content that you can access on your own time so you can learn at your own pace. Register for the course and start learning today at Avid.fm/jennifer. In the meantime, here’s one of my favorite snippets from Breaking Barriers, all about an artist who was totally new to me, and whom I now totally love.  Enjoy!

A lot of the big name Renaissance artists, as we mentioned in our very first class, get slimmed down to a single moniker-- and most of the time, we call these artists by their first names, not their surnames. So we’ve got Michelangelo instead of Michelangelo Buonarroti, or Titian instead of Tiziano Veccelo. What’s cool is today’s subject got her own name pared down, too--but

Italian artist (c. 1578–c. 1630)

Fede Galizia, better known as Galizia, (c. 1578 – c. 1630) was an Italian painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art. She is perhaps not as well known as other female artists, such as Angelica Kauffman and Élisabeth Vigée Le Brun, because she did not have access to court-oriented or aristocratic social circles, nor had she sought the particular patronage of political rulers and noblemen.

Life

Fede Galizia was born in Milan probably in 1578. Her father, Nunzio Galizia, also a painter of miniatures, had moved to Milan from Trento. Fede (whose name means "faith") learned to paint from him. By the age of twelve, she was sufficiently accomplished as an artist to be mentioned by Gian Paolo Lomazzo, a painter and art theorist friend of her father, who wrote, "[T]his girl dedicates herself to imitate the most extraordinary of our art." By her later teen years, she had established an international reputation as an artist.

At a young age, Galizia was already an established portrait painter handling many commissioned works. Her father may have been inspired to train his daughter by the example of Sofonisba Anguissola, who was from Cremona, around 50 miles from Milan. Perhaps it was her father's influence as a miniaturist that led to Galizia's attention to detail in her portraits. Her treatment of jewels and clothing made her a very desirable portrait painter. She was often commissioned to paint religious and secular themes as well. Several

Spanish poet, dramatist and theatre director (1898–1936)

For the statue, see Monument to Federico García Lorca. For the poems by Radnóti and Kavvadias, see Works related to Federico García Lorca § Poetry.

In this Spanish name, the first or paternal surname is García and the second or maternal family name is Lorca. However, the playwright is usually known, unusually, by his maternal surname Lorca.

Federico del Sagrado Corazón de Jesús García Lorca (5 June 1898 – 19 August 1936) was a Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27, a group consisting mostly of poets who introduced the tenets of European movements (such as symbolism, futurism, and surrealism) into Spanish literature.

He initially rose to fame with Romancero gitano (Gypsy Ballads, 1928), a book of poems depicting life in his native Andalusia. His poetry incorporated traditional Andalusian motifs and avant-garde styles. After a sojourn in New York City from 1929 to 1930—documented posthumously in Poeta en Nueva York (Poet in New York, 1942)—he returned to Spain and wrote his best-known plays, Blood Wedding (1932), Yerma (1934), and The House of Bernarda Alba (1936).

García Lorca was homosexual and suffered from depression after the end of his relationship with sculptor Emilio Aladrén Perojo. García Lorca also had a close emotional relationship for a time with Salvador Dalí, who said he rejected García Lorca's sexual advances.

García Lorca was assassinated by Nationalist forces at the beginning of the Spanish Civil War. His remains have never been found, and the motive remains in dispute; some theorize he was targeted for being gay, a socialist, or both, while others view a personal dispute as the more likely cause.

Life and career

Early years

Federico d