Rodes fishburne biography definition

Actor

At a Glance …

Grew up on Apocalypse Set

Took Diverse Film Roles

Gained Recognition With Boyz

Won Awards for Stage Role

Played a Deep Character in Deep Cover

Gives Multi-Layered Performances

Plays First Black Othello on Screen

Takes Stage Roles

Returns to Film with Fled

Violent Movies Take Critical Hit

Plays Positive African American Roles

Sources

Since his stage debut at age ten, Laurence Fishburne has spent his life acting. “He’s the kind of actor you can’t wait to say action on-- because you can’t wait to see how he’s gonna take it and deal with it,” director Abel Ferrara said of Laurence Fishburne in a Film Comment interview. The roles Fishburne have chosen have been equally unpredictable, from psychopaths to activist lawyers, from the solid, hands-on father he played in Boyz N the Hood to the troubled cop of Deep Cover. “For every thug, for every nut, I try and do somebody who’s a reasonable person, who’s an educated person,” the actor told Tom Perew of Black Elegance. Perew quoted a casting agent who praised Fishburne’s selectivity and dedication: “I get the feeling he’s more interested in the quality behind the work than the money.”

Fishburne was born in 1961, in Augusta, Georgia. His father, a corrections officer, frequently took him to the movies, but it was his mother, a schoolteacher, who introduced him to the stage. The family moved to a middle-class neighborhood in Brooklyn, New York, when Laurence was young, and soon he was auditioning for parts in local plays. “I’ve always been an actor,” he remarked to James Ryan of Premiere; he informed New York magazine that his first role was in the second grade: “I was Peter Pan, the boy who never grows up. I still am-I play make-believe for a living.” At age ten he appeared in the play In My Many Names and Da

C. D. Fishburne (May 26, 1832 – May 16, 1907) – "Old Clem" to his many friends – was a lawyer and one of the founders of the Bank of Albemarle. When he retired from his law practice, he became a cashier at the bank he helped found.

Fishburne was at one time edited of The Charlottesville Chronicle, a weekly paper published in Charlottesville for some years (1866-1869) after the war. For many years he was a member of the Charlottesville Town Council (1870–1889). For the first year of the Charlottesville City Council (1889–1900), he represented the First Ward and served as President of the City Council.

Clement Daniel Fishburne was born in Staunton, Va., but spent his childhood in Waynesboro. In early life he was for five years Professor of Latin and Greek studies at Davidson College in North Carolina. In 1857, he was best man at the second marriage of Thomas J. ("Stonewall") Jackson to Mary Anna Morrison.

Having served with the Rockbridge Artillery during the War Between the States, he later studied law at the University of Virginia, practiced for a short while editor of the Chronicle for a year, and then became cashier of the Albemarle Bank in 1

Character in "Othello"

Fictional character

Othello (, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor.

Othello was first mentioned in a Revels account of 1604 when the play was performed on 1 November at Whitehall Palace with Richard Burbage almost certainly Othello's first interpreter. Modern notable performers of the role include Paul Robeson, Orson Welles, Richard Burton, James Earl Jones, Laurence Fishburne, Laurence Olivier, Patrick Stewart, and Avery Brooks.

Role

Othello is a Venetian general. After their time in Venice, Othello is appointed general in the Venetian Army. His officer Iago tricks him into believing that his wife Desdemona is having an affair with his Lieutenant, Michael Cassio. Othello kills his wife out of jealousy by strangling her, only to realize that his wife was faithful after Emilia reveals the truth, at which point he commits suicide.

Ethnicity

There is no final consensus over Othello's ethnicity; whether of Maghrebi origin as in the generally accepted definition of "Moor", or of Sub-Saharan African.

E. A. J. Honigmann, the editor of the Arden Shakespeare edition, concluded that Othello's ethnic background is ambiguous. "Renaissance representations of the Moor were vague, varied, inconsistent, and contradictory. As critics have established, the term 'Moor' referred to dark-skinned people in general, used interchangeably with similarly ambiguous terms as 'African', 'Ethiopian' and even 'Indian' to designate a figure from Africa (or beyond)." Various uses of the word "black" (for example, "Haply for I am black") are insufficient evidence for any accurate racial classification, Honigmann argues, since "black" could simply mean "swarthy" to Elizabethans. In 1911,