Similarities between autobiography and biography anchorage
Narrating the Self in a Contemporary World: Bridging Autobiography and Testimony
Violi, Patrizia. "Narrating the Self in a Contemporary World: Bridging Autobiography and Testimony" Chinese Semiotic Studies, vol. 2, no. 1, , pp.
Violi, P. (). Narrating the Self in a Contemporary World: Bridging Autobiography and Testimony. Chinese Semiotic Studies, 2(1),
Violi, P. () Narrating the Self in a Contemporary World: Bridging Autobiography and Testimony. Chinese Semiotic Studies, Vol. 2 (Issue 1), pp.
Violi, Patrizia. "Narrating the Self in a Contemporary World: Bridging Autobiography and Testimony" Chinese Semiotic Studies 2, no. 1 ():
Violi P. Narrating the Self in a Contemporary World: Bridging Autobiography and Testimony. Chinese Semiotic Studies. ;2(1):
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Autobiography
Definition
Notoriously difficult to define, autobiography in the broader sense of the word is used almost synonymously with “life writing” and denotes all modes and genres of telling one’s own life. More specifically, autobiography as a literary genre signifies a retrospective narrative that undertakes to tell the author’s own life, or a substantial part of it, seeking (at least in its classic version) to reconstruct his/her personal development within a given historical, social and cultural framework. While autobiography on the one hand claims to be non-fictional (factual) in that it proposes to tell the story of a ‘real’ person, it is inevitably constructive, or imaginative, in nature and as a form of textual ‘self-fashioning’ ultimately resists a clear distinction from its fictional relatives (autofiction, autobiographical novel), leaving the generic borderlines blurred.
Explication
Emerging from the European Enlightenment, with precursors in antiquity, autobiography in its ‘classic’ shape is characterized by autodiegetic, i.e. 1st-person subsequent narration told from the point of view of the present. Comprehensive and continuous retrospection, based on memory, makes up its governing structural and semantic principle. Oscillating between the struggle for truthfulness and creativity, between oblivion, concealment, hypocrisy, self-deception and self-conscious fictionalizing, autobiography renders a story of personality formation, a Bildungsgeschichte. As such, it was epitomized by Rousseau ([–89] ); Goethe ([–31] ) and continued throughout the 19th century and beyond (Chateaubriand [/50] ; Mill [], with examples of autobiographical fiction in Moritz ([–86] ), Dickens ([] ), Keller ([–55] ; a second, autodiegetic version [–80] ) and Proust ([–27] ). While frequently disclaiming to follow generic norms, its hallmark is a focus on psychological introspection and a sense of historicity, frequently implying, in .